Kate Moss
Corinne Day was a British photographer whose influence on the style and perception of photography in the early 1990s and onwards has been immense.
Self taught, Day brought a more documentary look to fashion imagery, in which she often included autobiographical elements. She was known for forming long and close relationships with many of her muses including Kate Moss, Rosemary Ferguson, George Clements, Georgina Cooper, Sarah Murray, Tanya Court, and Tara St Hill, a way of working which resulted in candid and intimate portraits. Her first published work was for The Face magazine in 1990 - photographs of Kate Moss in an editorial titled the ‘3rd Summer of Love’. Day’s approach to fashion photography in the 90s, came to be known as ‘grunge’ and grew into an international style.
In 1993 Day was commissioned by British Vogue editor Alexandra Shulman to photograph Kate Moss and her other sitters for the March issue cover shoot and main fashion story. The shoot and cover of Kate was met with huge praise. Later that year Day was commissioned for an intended lingerie fashion shoot for British Vogue that took place in Kate Moss’s own flat in West London. The images appeared to have a documentary feel about them and when published caused a media scandal, with the world’s press claiming the images to be ‘hideous and exploitative’, labeling them as ‘child pornography’ and ‘heroin chic’.
Retreating from fashion work in the wake of the ‘heroin chic’ debate, Day spent much of her personal time over the next seven years taking photographs for her first book, ‘Diary’, a personal visual record of her life and friends, including Tara St Hill and the band, Pusherman with whom she toured America. The book is by turns both bleak and frank, but it is also a tender, poetic and honest chronicle of young lives.
Self taught, Day brought a more documentary look to fashion imagery, in which she often included autobiographical elements. She was known for forming long and close relationships with many of her muses including Kate Moss, Rosemary Ferguson, George Clements, Georgina Cooper, Sarah Murray, Tanya Court, and Tara St Hill, a way of working which resulted in candid and intimate portraits. Her first published work was for The Face magazine in 1990 - photographs of Kate Moss in an editorial titled the ‘3rd Summer of Love’. Day’s approach to fashion photography in the 90s, came to be known as ‘grunge’ and grew into an international style.
In 1993 Day was commissioned by British Vogue editor Alexandra Shulman to photograph Kate Moss and her other sitters for the March issue cover shoot and main fashion story. The shoot and cover of Kate was met with huge praise. Later that year Day was commissioned for an intended lingerie fashion shoot for British Vogue that took place in Kate Moss’s own flat in West London. The images appeared to have a documentary feel about them and when published caused a media scandal, with the world’s press claiming the images to be ‘hideous and exploitative’, labeling them as ‘child pornography’ and ‘heroin chic’.
Retreating from fashion work in the wake of the ‘heroin chic’ debate, Day spent much of her personal time over the next seven years taking photographs for her first book, ‘Diary’, a personal visual record of her life and friends, including Tara St Hill and the band, Pusherman with whom she toured America. The book is by turns both bleak and frank, but it is also a tender, poetic and honest chronicle of young lives.